Description: The year is 1665. Black Death ravages London. A killer stalks the streets in a plague doctor’s hood and mask.
When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past.
Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide.
In a city drowned in darkness, death could be the most powerful magic of all.
Opening: London, 1665
In the year of the Black Death London is a city of half-timbered houses and dark towers. In the narrow backstreets, astrologists predict the future, and alchemists conjure wonders. Traitors’ heads line London Bridge, where witches sell potions, and gamesters turn cards. The river flowing beneath lands a daily cargo of smuggler gangs and pirates.
Loved this from the very start: it is gory, graphic and dead gruesome. Many gizzard for dinner scenes so I suppose this is not for the squeamish, and the murdering hulk is terrifying so this is not for the shiverers either. Rest assured though, it is not a horror fic by any stretch of the imagination. The Thief Taker for all its grisly subject is written in a very upbeat fashion. I would loath to call it YA because lots of people have a very prejudiced mindset when it comes to that shelf. It is a highly enjoyable piece of hist-fic fluff.
Holborn Bridge: 1831 Drawn by Tho. H. Shepherd. Engraved by M. Woolnoth.
What a debut, and ike Oliver Twist, I’m asking for more of Charlie Tuesday. Three point five plague hoods rounded up for the sites that do not operate on half ratings.
Endorsed by my Peter James: ‘Quinn is a brilliant new talent!’
Images from the book