The Friend of the Family by Fyodor Dostoyevsky

 

http://www.bbc.co.uk/programmes/b04fxy8d

BBC description: 4 Extra Debut. Russia, 1859. Chaos in the manor of Stephanchikovo when an ex-sergeant acts as arbiter of morals and taste. Stars David Suchet.

Drink a bottle of vodka and you can talk in any language you like!

Clive Merison and Davis Suchet excel in this written-as-a-play short story.

The Ballroom of Romance

 

bookshelves: shortstory-shortstories-novellas, britain-ireland, lifestyles-deathstyles, families, love, published-1972, summer-2014, under-50-ratings

Recommended to ☯Bettie☯ by: Laura
Read on August 30, 2014

 

http://www.bbc.co.uk/programmes/b04f8nxx

Description: Niamh Cusack reads one of William Trevor’s greatest short stories, set in an isolated dance hall in Ireland.
Each Saturday night, 36-year-old Bridie leaves her ailing father, and cycles to the Ballroom of Romance, a wayside dance-hall where the local men and women meet to dance, talk and perhaps find love. For twenty years Bridie has cycled the seven miles there and back again; now, no longer a girl, she knows her chances of romance are fading but still there is Dano Ryan.

Reader: Niamh Cusack
Producer: Justine Willett
Writer: William Trevor – born in 1928, William Trevor is widely regarded as one of the greatest contemporary writers of short stories in the English language. He has won the Whitbread Prize three times and has been nominated five times for the Booker Prize, most recently for his novel Love and Summer. Last year he was awarded the inaugral Charleston/Chichester Award for a Lifetime’s Excellence in Short Fiction

As you can tell, I am very partial to an atmospheric penned by William Trevor:

3* Love and Summer
3* The Collected Stories
3* Cheating at Canasta
3* A Bit on the Side
4* Death in Summer
4* The Hill Bachelors
WL The Children of Dynmouth
3* My House in Umbria
3* Reading Turgenev
3* The Ballroom of Romance
3* Angels at the Ritz
3* The Distant Past

The Thief Taker by C.S. Quinn

 

Description: The year is 1665. Black Death ravages London. A killer stalks the streets in a plague doctor’s hood and mask.

When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past.

Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide.

In a city drowned in darkness, death could be the most powerful magic of all.

Opening: London, 1665
In the year of the Black Death London is a city of half-timbered houses and dark towers. In the narrow backstreets, astrologists predict the future, and alchemists conjure wonders. Traitors’ heads line London Bridge, where witches sell potions, and gamesters turn cards. The river flowing beneath lands a daily cargo of smuggler gangs and pirates.

Loved this from the very start: it is gory, graphic and dead gruesome. Many gizzard for dinner scenes so I suppose this is not for the squeamish, and the murdering hulk is terrifying so this is not for the shiverers either. Rest assured though, it is not a horror fic by any stretch of the imagination. The Thief Taker for all its grisly subject is written in a very upbeat fashion. I would loath to call it YA because lots of people have a very prejudiced mindset when it comes to that shelf. It is a highly enjoyable piece of hist-fic fluff.

Holborn Bridge: 1831 Drawn by Tho. H. Shepherd. Engraved by M. Woolnoth.

What a debut, and ike Oliver Twist, I’m asking for more of Charlie Tuesday. Three point five plague hoods rounded up for the sites that do not operate on half ratings.

Endorsed by my Peter James: ‘Quinn is a brilliant new talent!’
Images from the book

Elizabeth is Missing by Emma Healey

 

Description: How do you solve a crime when you can’t remember the clues?

Maud is forgetful. She makes a cup of tea and doesn’t remember to drink it. She goes to the shops and forgets why she went. Back home she finds the place horribly unrecognizable – just like she sometimes thinks her daughter Helen is a total stranger.

But there’s one thing Maud is sure of: her friend Elizabeth is missing. The note in her pocket tells her so. And no matter who tells her to stop going on about it, to leave it alone, to shut up, Maud will get to the bottom of it.

Because somewhere in Maud’s damaged mind lies the answer to an unsolved seventy-year-old mystery. One everyone has forgotten about.

Everyone, except Maud . . .

Some nice ratings around for this one already. Smashing.

I thought this an exceptionally clever debut novel, and we really get inside the mind of senile dementia. But what really is senile dementia if not just the notching up of internal dialogue to the exclusion of all else? Well it’s a safety hazard, that is apparent but not scary per se. I thought the grand-daughter dealt with it all better than daughter Helen.

However Healey did rather over-egg the pudding didn’t she, bet I wasn’t the only one screaming at the pages saying: ‘get the Foxtrot on with it, why don’t you.’

Like I said above, a clever debut where the some of the looseness should have been edited out. Three point five marrow flowers.

 photo 000000_zpsbad4145a.jpg  photo 000000_zpsbad4145a.jpg  photo 000000_zpsbad4145a.jpg

Dead Man’s Time by Peter James

 

Description: New York, 1922. Five-year-old Gavin Daly and his seven-year-old sister, Aileen, are boarding the SS Mauretania to Dublin—and safety. Their mother has been shot and their Irish mobster father abducted. Suddenly, a messenger hands Gavin a piece of paper on which are written four names and eleven numbers, a cryptic message that will haunt him all his life, and his father’s pocket watch. As the ship sails, Gavin watches Manhattan fade into the dusk and makes a promise, that one day he will return and find his father.

Brighton, 2012. Detective Superintendent Roy Grace investigates a savage burglary in Brighton, in which an old lady is murdered and £10m of antiques have been taken, including a rare vintage watch. To Grace’s surprise, the antiques are unimportant to her family—it is the watch they want back. As his investigation probes deeper, he realizes he has kicked over a hornets nest of new and ancient hatreds. At its heart is one man, Gavin Daly, the dead woman’s ninety-five-year-old brother. He has a score to settle and a promise to keep—both of which lead to a murderous trail linking the antiques world of Brighton, the crime fraternity of Spain’s Marbella, and New York.

Dedication: FOR PAT LANIGAN
This book would never have happened without your generosity in sharing your family history with me

Opening: Brooklyn, February 1922
The boy’s father kissed him goodnight for the last time – although neither of them knew that.
The boy never went to sleep until he had had that kiss. Every night, late, long after he had gone to bed, he would lie waiting in the darkness, until he heard the door of his room open, and saw the light flood in from the landing. Then the shadowy figure and the sound of his father’s heavy footsteps across the bare boards. ‘Hey, little guy, you still awake?’ he would say in his low, booming voice.

I so love the casting here, especially Glenn, and the over-arching storyline of their personal lives. We are still waiting for a resolution over Sandi, and each book I wonder: ‘will this be the one where we get to know her fate?’

Because I love these characters, so much so that I like to point out things that seem slightly out of step with how I perceive the set-up:

Okay, here’s the thing: Cleo, in the view I have had built up for me by Peter James would not be reading Fifty Shades of Grey, now would she.

Oh! look at this: R.M.S Mauretania

Best line: ‘exuded all the personality of an unplugged fridge’

Disputing the ease of location 100/433: If you want a telegram from the Queen on your 100th birthday, be prepared for a frightful slog”

The music:
BEETHOVEN.ODE TO JOY
Dr. Hook – The Millionaire
Marla Glen – The Cost Of Freedom

4* Dead Simple (Roy Grace, #1)
4* Looking Good Dead (Roy Grace, #2)
4* Not Dead Enough (Roy Grace, #3)
4* Dead Man’s Footsteps (Roy Grace, #4)
4* Dead Tomorrow (Roy Grace, #5)
3* Dead Like You (Roy Grace, #6)
3* Dead Man’s Grip (Roy Grace, #7)
3* Not Dead Yet (Roy Grace, #8)
4* Dead Man’s Time (Roy Grace, #9)

Research by Philip Kerr

 

Quercus Books

Dedication:

For Harry Armfield

Description: If you want to write a murder mystery, you have to do some research… In a luxury flat in Monaco, John Houston’s supermodel wife lies in bed, a bullet in her skull. Houston is the world’s most successful novelist, the playboy head of a literary empire that produces far more books than he could ever actually write. Now the man who has invented hundreds of best-selling killings is wanted for a real murder and on the run from the police, his life transformed into something out of one of his books. And in London, the ghostwriter who is really behind those books has some questions for him too…

Opening: It was the American novelist William Faulkner who once said that in writing you must kill all your darlings; it was Mike Munns – another writer, but like me, not half as good as Faulkner – who made a joke out of this quote when he telephoned my flat in Putney that Tuesday morning.

Ironical it is that this story is published ~ nine months after Prayer. The blurb for ‘Research’ includes this: a book factory publishing many bestsellers a year – so many that he can’t possibly write them himself. Heh.

‘Research’ is a standalone book with unsympathetic, two-dimensional characters and the ugliest cynicism towards the written word and mentality of readers I have ever encountered. I can’t work out if it is full-on satire or just partial but the outcome is the same, readers will be insulted.

Every behaviour has its impact.

Mainly this is an attack on all those combo authorships of test-tosh thrillers that churn out many books a year, yet Kerr is in his own firing line, two crap books in a year.

I took time out half way through just to pick up other stories to reassure myself that some authors still feel passionate about writing and care for their readers; what a breath of fresh air.

Although technically this is marginally a better book than ‘Prayer’ purely because it doesn’t bring Old Scratch out to play, ‘Research’ flat-lined out of any enjoyment factor. There wasn’t enough good stuff to make a feedback sandwich so I’ll just deliver the line: cynicism, snark, distain for readers, and authorial career suicide is not a pretty thing to witness.

3.5* March Violets (Bernard Gunther, #1)
3.5* The Pale Criminal (Bernard Gunther, #2)
3.5* A German Requiem (Bernard Gunther, #3)
3.5* A Quiet Flame (Bernard Gunther, #5)
1* Prayer
1* Research

The Magic Mountain by Thomas Mann

 

Description: In this dizzyingly rich novel of ideas, Mann uses a sanatorium in the Swiss Alps–a community devoted exclusively to sickness–as a microcosm for Europe, which in the years before 1914 was already exhibiting the first symptoms of its own terminal irrationality. The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.

Total Duration: 2:18:04

Olwen Wymark’s BBC R4 dramatisation, first broadcast 2001:

Paul Schofield (narrator)
Robert Whitelock (Hans Castorp)
Clive Merrison (Settembrini)
Sian Thomas (Clavdia)
Simon Ludders (Joachim)
John Hartley (Dr Behrens)
Norman Rodway (Peeperkorn)
Rhodri Hugh (Naphta)
Richard Elfyn (Dr Krokowski)
Christine Pritchard (Frau Stohr)
Directed by Alison Hindell, with music by Colin Sell

Schatzalp Davos

Not sure what I thought this story was going to be like, however I have come away satisfied. Mann makes the reader perform emotional somersaults, at times this is stanley-blade morose then quickly the mood changes to satire. I really did not like the blizzard scene.

In the bigger picture, this is another way to view the mentality in Europe circa 1914 – how weird! The music.

Overall, from this superb BBC production, I come away with three Hans Castor(p)s

A Song for Issy Bradley

 

BABT

http://www.bbc.co.uk/programmes/b04d8dvt

Description: This is the story of what happens when Issy Bradley dies.

It is the story of Ian – husband, father, maths teacher and Mormon bishop – and his unshakeable belief that everything will turn out all right if he can only endure to the end, like the pioneers did. It is the story of his wife Claire’s lonely wait for a sign from God and her desperate need for life to pause while she comes to terms with what’s happened.

It is the story of the agony and hope of Zippy Bradley’s first love, the story of Alma Bradley’s cynicism and reluctant bravery, and it is the story of seven-year-old Jacob. But mostly it’s the story of a family trying to work out how to carry on when their world has fallen apart.

Incredibly moving, unexpectedly funny and sharply observed, A Song for Issy Bradley, explores the outer reaches of doubt and faith. Author Carys Bray was brought up in a devout Mormon family. In her early thirties she left the church and replaced religion with writing. She was awarded the Scott prize for her debut short story collection Sweet Home. A Song for Issy Bradley is her first novel.

1/10 It is little Jacob’s birthday, and he wants all the family to have breakfast together.

2/10 Claire is trying to keep control of Jacob’s birthday party, and Issy says she feels unwell

3/10 Issy has been rushed to hospital suffering from meningitis. She is in critical condition.

4/10 It is Issy’s funeral, but little Jacob is hatching a plan to make everything better.

It wouldn’t be the first time that my reticence would be proven unfounded and it was that reasoning that I embarked upon this Book at Bedtime insert. Unfortunately it was as dismal as the description makes out, a real playing on the heart-strings. It is fair to say I am not the target audience here. Abandoned at 40%

NEXT!

The Descendants by Kaui Hart Hemmings

 

Description: Matthew King was once considered one of the most fortunate men in Hawaii. His missionary ancestors who came to the islands were financially and culturally progressive one even married a Hawaiian princess, making Matt a royal descendant and one of the states largest landowners. But now his luck has changed. His two daughters are out of control 10-year-old Scottie has a smart-ass attitude and a desperate need for attention and 17-year-old Alex, a former model, is a recovering drug addict. His thrill-seeking and high-maintenance wife, Joanie, lies in a coma after a boat racing accident, and will soon be taken off life support. The King family can hardly picture life without their charismatic mother, but as they come to terms with this tragedy, their sadness is mixed with a sense of freedom that shames them and spurs them into surprising actions.

Jonathan Davis narrates.

Book before film.

LATER: No film for me, it would ruin this story in the mind’s eye. The Descendants is not 5* perfect, however it is pretty darn fantastic debut, and so well read by Davis. I have internal film of all the family members, and that, right there, shows how finely wrought Hemmings has crafted them.

My one-liner sum up is this: Mr King, father to Valley Girls, new millenium style, has to grow thick skin in order to keep his family together in the aftermath of tragedy and amidst revelations of disloyalty.

Four and a half Hawaiian Islands

Eugenie Grandet

bookshelves: summer-2014, series, france, fradio, radio-4, published-1833, filthy-lucre, lifestyles-deathstyles, play-dramatisation, suicide, translation, love, lit-richer, cousin-love, families

Recommended for: BBC Radio Listeners
Read from July 30 to August 05, 2014

 

Classic Serial

http://www.bbc.co.uk/programmes/b04bmtpk

Description: Rose Tremain’s gripping dramatisation, starring Ian McKellen, of Balzac’s tragic novel revolving around Grandet, an ageing vine farmer, and his innocent young daughter Eugenie.

Monsieur Grandet, who has amassed a considerable fortune, is a miser who feigns poverty and runs his household along miserably frugal lines. All changes with the arrival of Eugenie’s handsome 22-year-old cousin, Charles Grandet, from Paris. Charles has brought with him a shocking letter from his father, Guillaume, who has committed suicide. He has placed his debts and the care of his son into his brother’s hands. It is a fatal decision, with ruinous consequences for the whole family.

Eugenie Grandet is considered by many to be the strongest novel in Balzac’s magnificent series, The Human Comedy. It pits a young naive girl against the father she has worshipped and this defiance sets us on course for the playing out of a heart-rending tragedy. Like King Lear, Grandet is a man who deeply loves the daughter who has defied him. He has no other child, no hope, no future but her. But in Balzac’s ‘human comedy’ the tragic and the comic exist side by side and this fruitful conjunction blossoms in Rose Tremain’s enthralling adaptation.

Cello and Treble Recorder: Alison Baldwin
Original Music: Lucinda Mason Brown
Produced and directed by Gordon House
A Goldhawk Essential production for BBC Radio 4

1/2 Rose Tremain’s gripping dramatisation of Balzac’s novel stars Ian McKellen as Grandet.

2/2 Rose Tremain’s gripping dramatisation of Balzac’s novel stars Ian McKellen as Grandet.

Some lovely images on google piccies:

3* Cousin Bette
3* The Unknown Masterpiece
3* Eugénie Grandet