That same afternoon, workmen digging up an old asphalt pat in a park in another part of the city, unearth the remains of a young woman in her early twenties, who has been dead for 30 years.
At first, to Roy Grace and his team, these two events seem totally unconnected. But then another young woman in Brighton goes missing and another body from the past surfaces. Meanwhile, an eminent London psychiatrist meets with a man who claims to know a piece of information about Logan. Later Roy Grace makes the chilling realization that this one thing is the key to both the past and the present . . . Brighton has its first serial killer in over eighty years.
Opening: Logan was driving fast in the pelting rain, hurrying home, glad that her shitty day which had gone from bad to worse, and then progressively worse still, was nearly at an end.
Well, that was quite the ride; I’m exhausted. The Sandy-named elephant in the room has still to come to adequate conclusion, yet that aspect didn’t hang like a pall over this book because the story was just so exciting. Far-fetched but very exciting. Something new though, there is definitely a cliff-hanger element to the end of the investigation so we all know there is to be at least one more book starring Grace.
The sound track to the book:
Passenger – Patient Love
James Bond Theme Tune
I Got You Babe – Sonny and Cher
The Love Song of J. Alfred Prufrock
John Denver Leaving On A Jet Plane 1977
Voices of the Valley: Abide With Me
Feargal Sharkey – A Good Heart
4* Dead Simple (Roy Grace, #1)
4* Looking Good Dead (Roy Grace, #2)
4* Not Dead Enough (Roy Grace, #3)
4* Dead Man’s Footsteps (Roy Grace, #4)
4* Dead Tomorrow (Roy Grace, #5)
3* Dead Like You (Roy Grace, #6)
3* Dead Man’s Grip (Roy Grace, #7)
3* Not Dead Yet (Roy Grace, #8)
4* Dead Man’s Time (Roy Grace, #9)
3* Want You Dead
4* You Are Dead (Roy Grace, #11)
3* The Perfect Murder