A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph–but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory.
Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture–and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”
Opening: Pompey’s Finest Hour? BIRTHDAY PARADE September 29, 61 bce, was the forty-fifth birthday of Pompey the Great. It was also—and this can hardly have been mere coincidence—the second and final day of his mammoth triumphal procession through the streets of Rome. It was a ceremony that put on show at the heart of the metropolis the wonders of the East and the profits of empire: from cartloads of bullion and colossal golden statues to precious specimens of exotic plants and other curious bric-à-brac of conquest.
See also, the lovely Mary Beard doing good work for her online attacker.